If, as people working in the arts on international mailing lists,
we're talking about what it means to make work that might be termed
"seditious", then I think we need to be open to learning from all
kinds of expertise outside the particular nation-state that we
might be in. The function of sedition laws themselves is to try and
maintain a nationalist ideal of the public good that is divorced
from e.g. international human rights frameworks. The irony is that
the term sedition was not magically invented in Australia (or the
United States) but is a cultural export that exists throughout (at
least) the British Empire. So in that sense, rather than a "legal
definition of sedition in Australian law" being a pre-requisite for
the discussion, I think it's a distraction from the deeper
questions around our orientation to nationalism and creative
practice, and strategies for survival that have a lot of
similarities that we can learn from.
--
http://www.dannybutt.net
severn@acay.com.au wrote:
I cant see it, sorry? Neither of the americans have any
background in
Australian law and I am completely disinterested in anything they
have to
say about american sedition when there is so much to discuss about
Australia.
Not relevent to this discussion. The incompetancies of the
american legal
system have no bearing on issues in Australian art practices.
So we need a legal definition of "sedition" as defined in
Australian law,
dont we?
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